| ITEM NO. | ITEM NAME | PRODUCT INFORMATION | FABRIC | STITCHED AREA | KIT PRICE | CHART PRICE |
|---|
FRANK LLOYD WRIGHT |
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| ITEM NO. | ITEM NAME | PRODUCT INFORMATION | FABRIC | STITCHED AREA | KIT PRICE | CHART PRICE |
|---|---|---|---|---|---|---|
| 107 | Frank Lloyd Wright’s Home | In 1889 Wright built a home for his wife, Catherine Tobin. The shingle-style home was expanded in 1895 and office space was added in 1898. Today, the restored home and studio complex appears just as it did when Wright lived and worked there. | 14 ct Aida |
8.5 x 5.75 | 32.00 |
8.00 |
| 108 | Robie House | Built in 1908 for a Chicago businessman near the University of Chicago, the Robie House is one of Wright's most celebrated Prairie style designs. Its dominant horizontal axis complements the long, narrow city lot on which it was built. Wright designed the house in its entirety, complete with furnishings, light fixtures, rugs and art glass. The building is now open to the public. | 14 ct Aida |
15 x 3.5 | 32.00 |
8.00 |
| 111 | Dining Room Grille | This design is adapted from a fretwork oak ceiling grille added to the dining room of Wright's home in 1895. It is probably the first example of recessed, indirect lighting. | 14 ct Aida |
3.25 x 6.5 | 18.00 |
8.00 |
| 112 | Playroom Grille - Rectilinear | This geometric design is adapted from a fretwork oak ceiling grille below a skylight in the barrel vaulted playroom that Wright added to his home in 1895. | 14 ct Aida |
4.25 x 4 | 18.00 |
8.00 |
| 113 | Playroom Grille - Leaf | This design, using a geometric pattern of ash leaves and pods, is adapted from a fretwork oak ceiling grille below a skylight in the barrel vaulted playroom that Wright added to his home in 1895. | 14 ct Aida |
6 x 4.75 | 18.00 |
8.00 |
| 114 | Tree of Life Window | This is an adaptation of an art glass window for the Darwin Martin House, Buffalo, New York built in 1904. The Tree of Life motif employs abstracted leaves and branches. | 28 ct Monaco across |
7.5 x 12.25 | 28.00 |
8.00 |
| 115 | Sumac Window | The abstract Sumac pattern used in The Dana-Thomas House (1902-1904) in Springfield, Illinois exemplifies Wright's use of flowers, seed pods, leaves and other organic forms in his decorative designs. | 14 ct Aida |
4.25 x 7.25 | 20.00 |
7.00 |
| 116 | Hollyhock House Window | The Eileen Barnsdale Hollyhock House in Los Angeles, California was built in 1920 and represents one of Wright's most ambitious residential endeavors. The asymmetrical design of this window is unique because it can be used either vertically or horizontally | 28 ct Monaco across |
3.5 x 7.5 | 18.00 |
7.00 |
| 117 | Office Window | This is an adaptation of an art glass window that Wright designed for his private office in his Oak Park, Illinois architectural studio. The rich, tapestry texture is a variation of a skylight design in the studio's reception room. | 28 ct Monaco across |
6.25 x 11.25 | 28.00 |
8.00 |
| 118 | Art Glass Window I | This is an adaptation of an art glass window Wright designed of the Avery Coonley Playhouse, Riverside, Illinois in 1912. The abstracted balloons, confetti and even an American flag in some windows reflect this building's function as a place for fun and celebration. | 28 ct Monaco across |
3.5 x 10.75 | 20.00 |
8.00 |
| 119 | Art Glass Window II | See Art Glass I | . |
3.5 x 10.75 | 20.00 |
8.00 |
| 120 | Art Glass Window III | See Art Glass I | . |
3.5 x 10.75 | 20.00 |
8.00 |
| 127 | Unity Temple Coasters | Design adapted from the skylight of Unity Temple, Wright's first public building. The design can be worked as a set of four 3.5 in. coasters or as a 7x7-in. wall hanging. | Model stitched on 18 mesh mono needlepoint canvas using DMC embroidery floss. We include suggestions for decorative stitches. | Four 3.5" squares | n.a. |
9.00 |
| 129 | Little House Library Window | The Francis W. Little House built in Wayzata, Minnesota in 1913 has since been demolished. Its library was reconstructed at the Allentown Art Museum, Allentown, Pennsylvania | 28 ct Monaco across |
3 x 8.5 | 18.00 |
8.00 |
| 130 | Little House Window | See Little House Library | 14 ct Aida |
7.25 x 8.75 | 20.00 |
8.00 |
| 131 | Avery Coonley Playhouse Window | Art glass windows like this example from the Avery Coonley Playhouse in Riverside, Illinois (1912), were important components of Wright's buildings. The abstracted balloons, confetti, and even an American flag in some windows, reiterate this building's function as a place for gaiety and celebration | 28 ct Monaco across |
3.25 x 15.5 | 20.00 |
8.00 |
| 142 | Avery Coonley Tile Needlepoint Pillow * | Wright used this stylized geometric tulip pattern in the tiles on the exterior or the Avery Coonley House, Riverside, Illinois (1908). The four large squares form the tulip blossom while the vertical row of tiny white squares represents represent the stem. Horizontal white rectangles are the leaves and the black lines are the roots. The repeated design creates an overall grille-like pattern. | Model stitched on 13 mesh mono needlepoint canvas using Paternayan Persian wool | 14 x 14 | n.a. |
9.00 |
| 143 | Allen House Ceiling Light | In 1917, Elsie Allen, wife of Kansas governor, Henry J Allen, commissioned Wright to design a home in Wichita, Kansas. Mr. Wright's use of a chevron motif in the dining room ceiling light, as well as in the art glass doors of the living room bookcases inspired this adaptation. | 28 ct Monaco across |
6.5 x 6.75 | 24.00 |
8.00 |
| 144 | Wisteria Window | The abstract treatment of the hanging wisteria reflects Wright's consistent use of organic forms in his decorative designs. This is an adaptation of an art glass window designed for the library of the Ennis House built in 1924. | 28 ct Monaco across |
7 x 21 | 40.00 |
9.00 |
| 145 | Skylight Needlepoint Eyeglass Case * | An adaptation of the art glass skylight Wright designed for the reception room of his Oak Park architectural studio in 1898 | Model stitched on 18 mesh mono canvas using Paternayan wool | 3.5 x 7 | n.a. |
9.00 |
| 146 | Skylight Needlepoint Cosmetic Case * | See Skylight Eyeglass Case | . | 7.5 x 5 | n.a. |
9.00 |
| 152 | Lake Geneva Tulip Window (Needlepoint) * | Adaptation of a window used in the Lake Geneva Inn, a small resort hotel built in 1911 on Lake Geneva in southern Wisconsin. Mr. Wright called the flower-like shape in the center of the window his "tulip" design. | Model stitched on 18 mesh mono needlepoint canvas using Marlitt embroidery thread and DMC embroidery floss | 7 x 6.25 | n.a. |
9.00 |
| 166 | Robie House Sconce | Adaptation of a decorative bronze light sconce in the Robie House (1908-10). This abstract fern-leaf motif was also used in several other Prairie style buildings designed by Wright during this period. | 14 ct Aida |
6.5 x 6.5 | 20.00 |
8.00 |
| 168 | Hollyhock House Rug | Wright created this rug design for the Eileen Barnsdale Hollyhock House in Los Angeles, California. It was typical of Mr. Wright to be involved with every aspect of his projects from the ceiling fixtures to the floor coverings. | 28 ct Monaco across |
4 x 17 | 32.00 |
9.00 |
| 189 | Avery Coonley Eyeglass Case | Adapted from an art glass window in the Avery Coonley Playhouse in Riverside, Illinois (1912) | 14 ct Aida |
3.5 x 14 | 20.00 |
8.00 |
| 194 | Saguaro Forms | Frank Lloyd Wright created this abstract design of the Saguaro, a great desert cactus, as one of twelve covers commissioned by Liberty magazine in 1926-1927. Although it was never published by the magazine, this design later appeared as the cover design for Wright's Princeton lectures and as a glass mural in the main entrance of the Arizona Biltmore Resort. | 28 ct Monaco across |
5.5 x 16.5 | 40.00
|
9.00 |
| 195 | Heath House Window | The art glass windows of the William Heath House in Buffalo, New York are among the finest Wright ever created. Softly colored chevron and diamond motifs are united by bordered bands of milk glass across two, three and even five windows in a subtle design of fluid transparency. | 28 ct Monaco across |
5.5 x 8.5 | 22.00 |
8.00 |
| 808 | Robie House Window | This
is an adaptation of an art glass window in the Frederick C. Robie House (1908-10) The diagonals in the purely abstract design respond to the angle of the roof. |
28 ct Monaco across |
4 x 11.5 | 18.00 |
8.00 |
| 809 | Old Fashioned Window I (Needlepoint)* | Wright's interest in decorative designs extended well beyond buildings and their furnishings. He was commissioned to create a series of covers for Liberty Magazine in 1926. This adaptation represents a small section of one design. The covers were never published by Liberty. | Model stitched on 13 mesh mono needlepoint canvas using Paternayan Persian wool | 14 x 14 | n.a. |
9.00 |
| 810 | Old Fashioned Window II (Needlepoint) * | See 809 | See 809 | 14 x 14 | n.a. |
9.00 |
| 811 | Frozen Spheres | Frank Lloyd Wright created this abstract design as one of twelve covers commissioned by Liberty magazine in 1927-1928 but never published. This abstract motif for the January cover incorporates elements suggesting icicles. | 14 ct Aida |
12 x 12 | 48.00 |
9.00 |
| 812 | Waterlilies Art Glass | Frank Lloyd Wright created art glass windows he called "light screens" for his client's homes. This design from a Wright drawing, with its graceful geometric pattern of flowers and lily pads floating on a tranquil pond, was never realized in glass. | 28 ct Monaco across |
6 x 15 | 40.00
|
9.00 |
| 814 | May Basket | Frank Lloyd Wright created this abstract design as one of twelve covers commissioned by Liberty magazine in 1927-1928 but never published. This abstract motif for the May cover depicts a basket of fruit and flowers. |
28 ct Monaco across |
9 x 9.5 | 38.00 | 9.00 |
| 833 | Fountain Art Glass | Variations of this abstract wisteria pattern are used in 6 doors and 4 windows in the Susan Lawrence Dana House (1902-1904) in Springfield, Illinois. The design is considered one of the most brilliant art glass designs Wright ever created. The renovated Dana-Thomas House is open to the public as a museum |
28 ct Monaco across |
6 x 17 | 42.00 | 9.00 |
| 834 | March Balloons |
Frank Lloyd Wright created a series of twelve covers for Liberty magazine in 1927-1928; however they were never published. This abstract motif for the March cover depicts a group of colorful balloons rising into the sky |
28 ct Monaco across |
9 x 11 | 38.00 | 9.00 |
ARTS & CRAFTS DESIGNS |
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177 |
Mackintosh Tulip and Lattice |
Toward the end of his career Mackintosh began creating fabric designs based on simple, stylized flowers and abstract motifs. He created this series between 1915 and 1923. | 28 ct Monaco across |
9 x 12 | n.a. |
8.00 |
| 191 | Mackintosh Rose Motif Leaded Glass |
This adaptation of an art glass window insert found in several of his buildings reflects his use of graphic, stylized natural designs for ornamentation. | 28 ct Monaco across |
7 x 7 | 26.00 |
8.00 |
| 193 | Mackintosh Rosebud Glass Panel | This glass panel was used in the Glasgow School of Art, considered Mackintosh's masterpiece. This stained glass panel depicting a stylized rosebud is one of many that mark entrance ways throughout the school. | 28 ct Monaco across |
6.5 x 6.5 | n.a. |
8.00 |
813 |
Mackintosh Rose Stencil |
Toward the end of his career Mackintosh began creating fabric designs based on simple, stylized flowers and abstract motifs. He created this series between 1915 and 1923. | 28 ct Monaco across |
6 x 8.5 | 26.00 |
8.00 |
| 824 | Dard Hunter Purple Poppies | William "Dard" Hunter created this art glass design for the Roycrofters Inn, an art colony in East Aurora, New York that championed the Arts & Crafts Movement in the US. |
28 ct Monaco across |
5.5 x 7.5 | 20.00 | 8.00 |
| 827
|
Dard Hunter Red Tulip | See Purple Poppies above |
28 ct Monaco across |
4.5
x 9.5
|
20.00 | 8.00 |
| 126 | Sullivan Terra Cotta Ornament | This is an adaptation of a terra cotta ornament from the Henry Babson House in Riverside, Illinois designed by Sullivan in 1907. Sullivan was Frank Lloyd Wright's mentor, inspiration and employer | 28 ct Monaco across |
6.5 x 6.75 | 26.00 |
8.00 |
| 832 | Pleasant Home Window | George W. Maher designed this art glass window for the reception room of the John W. Farson home built in Oak Park, Illinois in 1897. The home, now known as "Pleasant Home", is an early example of the prairie style. The National Historic Landmark building is open to the public. | 14 ct Aida |
3.5 x 9 | 20.00 |
8.00 |
|
Botanically accurate counted cross stitch adaptations incorporate
roots, bulbs, |
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| 303 | Crocus | . | 14 ct Aida |
3 x 7.5 | 18.00 | 7.00 |
| 304 | Daffodil | . | 14 ct Aida |
3.5 x 7 | 18.00 | 7.00 |
| 305 | Red Trillium | . | 14 ct Aida |
3.5 x 7 | 18.00 | 7.00 |
| 306 | White Trillium | . | 14 ct Aida |
4 x 6.5 | 18.00 | 7.00 |
| 307 | Columbine | . | 14 ct Aida |
4.75 x 7.5 | 18.00 | 7.00 |
| 308 | Snowdrop | . | 14 ct Aida |
2.5 x 5.5 | 18.00 | 7.00 |
| 309 | Tulip | . | 14 ct Aida |
3.75 x 8 | 18.00 | 7.00 |
| 310 | Violet | . | 14 ct Aida |
3 .25 x 4 | 18.00 | 7.00 |
| 311 | Cyclamen | . | 14 ct Aida |
4 x 5.25 | 18.00 | 7.00 |
| 312 | Bluebell | . | 14 ct Aida |
3.5 x 6.5 | 18.00 | 7.00 |
| 313 | Wood Strawberry | . | 14 ct Aida |
4 x 5 | 18.00 | 7.00 |
| 314 | Scilla | . | 14 ct Aida |
3.5 x 6 | 18.00 | 7.00 |
TREES & FLOWERS OF TUDOR ENGLAND Counted cross stitch adaptations of 16th Century botanical drawings. |
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| 501 | Peach | . | 14 ct Aida |
4.5 x 6.25 | 18.00 | 7.00 |
| 502 | Mulberry | . | 14 ct Aida |
4.75 x 6.5 | 18.00 | 7.00 |
| 503 | Crab Apple | . | 14 ct Aida |
4.5 x 6.25 | 18.00 | 7.00 |
| 504 | Teasel | . | 14 ct Aida |
4.5 x 6.5 | 18.00 | 7.00 |
| 505 | Foxglove | . | 14 ct Aida |
5 x 6.75 | 18.00 | 7.00 |
| 506 | Red Clover | . | 14 ct Aida |
4.5 x 6.5 | 18.00 | 7.00 |
| 507 | Lavender | . | 14 ct Aida |
4.5 x 6 | 18.00 | 7.00 |
| 508 | Rose | . | 14 ct Aida |
4.5 x 6.25 | 18.00 | 7.00 |
| 509 | Mistletoe | . | 14 ct Aida |
4.5 x 6 | 18.00 | 7.00 |
TROPICAL FISH |
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| 212 | Long-nosed Butterflyfish | Counted cross stitch adaptations of 19t5h Century Lithographs | 14 ct Aida |
8 x 5.25 | 20.00 | 7.00 |
| 213 | Lionfish | See 212 | 14 ct Aida |
8 x 7.5 | 20.00 | 7.00 |
| 214 | Zebra Angelfish | See 212 | 14 ct Aida |
8 x 6 | 20.00 | 7.00 |
| 215 | Queen Triggerfish | See 212 | 14 ct Aida |
8.5 x 4.5 | 20.00 | 7.00 |
| 216 | Moorish Idol | See 212 | 14 ct Aida |
8 x 7.5 | 20.00 | 7.00 |
| 217 | Clown Triggerfish | See 212 | 14 ct Aida |
8.5 x 4.5 | 20.00 | 7.00 |
| 218 | Yellow Seahorse | See 212 | 14 ct Aida |
5 x 8.5 | 20.00 | 7.00 |
| 255 | Regal Angelfish | See 212 | 14 ct Aida |
8 x 4.5 | 20.00 | 7.00 |
CHICAGO AND THE WORLD |
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| 101 | Chicago Water Tower | One of the few buildings to survive the Chicago Fire of 1871 | 18 ct Aida |
5.25 x 11.25 | 32.00 |
8.00 |
| 102 | Chicago Skyline | The view from the Adler Planetarium | 14 ct Aida |
19.75 x 4.5 | 32.00 |
8.00 |
| 103 | New York Skyline | The Big Apple | 14 ct Aida |
10.75 x 3.25 | 32.00 |
8.00 |
| 104 | Buckingham Fountain | Metallic thread used in design adds sparkle to water | 18 ct Aida |
10 x 3 | 32.00 |
8.00 |
| 401 | Colleen Moore’s Doll House | Silent screen star Colleen Moore created the world's most famous doll house. Now at Chicago's Museum of Science and Industry. | 14 ct Aida |
5.75 x 4 | 22.00 |
7.00 |
| 408 | Art Institute Lion | One of the pair of great bronze lions that guard the entrance of Chicago's Art Institute. | 14 ct Aida |
5.25 x 4.5 | 18.00 |
7.00 |
| 421 | Cherry Tree and Robins | From a 19th Century bride's quilt in the collection of Chicago's Art Institute | 14 ct Aida |
9.5 x 9.5 | 19.00 | 7.00 |
| 419 | Abraham Lincoln's Home | The only home Abraham Lincoln ever owned. In Springfield, Illinois. Now a National Historic Site. | 14 ct Aida |
7.5 x 6 | 24.00 |
7.00 |
| 110 | Faneuil Hall | |||||